Back in August of 2018 Petapixel ran an article I wrote about photographing my parents, whom I hadn’t photographed up until then. You can read the article on their website, but I’m going to repost it here on the blog.Read More
I was proud to be asked to participate in a small way for the 2019 Meri Goyette Art Awards Luncheon; a fundraiser and celebration for the local arts community in Nashua.
I was asked to quote a poem I love and create an image to accompany it that would be featured on triangular table piece along with two other artists.
I picked this poem by G. Boston because of it’s directness, and it’s simplistic beauty. It worked perfectly with some stacked chairs I shot on film back in the old Picker Building.
While doing an assignment for The Hippo at a local shoe store, I tripped on one of these foot measure devices and instantly flashed back to a little kid; the store associate bending down and slipping my socked-foot into one of these to get exact measurements on my foot. It was pretty awesome. I picked this little guy up and placed him on the seat next to me, and I loved the texture on the seat and the highlights from the lights overhead reflecting on the seat and the device. It made a nice black & white image, and I think it's fantastic.
Designed in 1927, The Brannock Device® foot-measuring device is a must in all retail footwear stores. Our device's measuring accuracy, quality construction, and simple, yet completely functional, design is what has made genuine Brannock measuring devices the standard in the footwear industry.
1927. Man. Make it once and make it to last. Good stuff.
I LOVE the 1978 movie Alien. The atmosphere, the design, the cast, the ambience, the pacing - everything is just darn perfect. Toy company NECA has been making figures based on the movie Alien and it's franchise, and I've been picking some up, making some dioramas here at the studio and making some more "cinematic" photographs using the toys. I wanted to share a little about how I'm making them and share some of them here on the blog.Read More
While digging through some scanned negative files, I came across this one, which I had forgotten about.
This image was made in the old, empty studio that used to be WarmStone Studio in the Picker Building, which was the studio directly next door to my old photography studio. I spent a few hours one afternoon seeing if the chairs would stack.
Shot on medium format film with my Hasselblad 500CM
Six years ago my buddy Matt Smigiel got together and did a Wolverine-inspired photography shoot. I'm a big comic-book fan and I had a ton of fun with Matt that day, and I knew someday I'd like to get around to doing another one.
Well, after a lot of procrastinating and seeing the "Noir" version of the latest Wolverine movie "Logan" I dusted off the claws and got Matt to come down to Nashua for another day of *snikt!"-ing claws and saying "bub" a lot.Read More
A word of advice to other ThreeA collectors out there that like to take photographs of their figures: BE CAREFUL WITH THE WRIST PEGS! While trying to remove that awesomesauce Mad Max jacket I have for him, I pulled on the sleeve too hard and his wrist peg snapped. This is the second time I've had a wrist peg snap - the first time was back at the start of 2017 when changing hands for my Blind Cowboy and his peg snapped. Replacements can be found on eBay, but they are stupid expensive. So be extra careful when doing anything with the hands or wrists. I've since cut that long leather sleeve off the jacket, so now it's more of a badass leather vest. Still looks excellent.
You can see a few more example images I made over on my Flickr page.
ThreeA figures continue to control my life. Oh my god.
This is "Shit Got Real JC". He's Jesus, only his arms are wrapped in bandages and he's covered in tattoos and he is 100% badass. He roams the landscape punching out zombies when he can. When I started picking up ThreeA figures my list looked like this:
Blind Cowboy/Dead Equine (horse)
Tomorrow Kings: Cornelius
KDA, my first ThreeA figure, was purchased because at the time he was the lowest priced entry-level figure into the world of ThreeA figures. He was the figure that told me "Yup, you are going to certainly want the other figures because they are incredible!" and I keep him around because he goes so well with Cornelius, which was my second figure.
There are earlier versions of JC that exist; the body of the figure is different and the head sculpt is vastly different compared to the updated Shit Got Real version. Here are two sample images I found via Googling:
Even starting right at the top of his head, JC has had some adjustments made to him for the revised "Shit Got Real" version. As you can see in the comparison images, the original JC has flatter hair and a smaller beard. The revised JC completely makes a new head mold and turns his hair and beard up to 11; a large spikey portion of his hair juts out, his bangs are longer over his right eye, and his beard is much longer. His "GODLIFE" tattoo is the same, but now there are more additional tattoo's. On the original JC, his hand bandages were part of his hand cast, but with the new JC, his arms and hands are wrapped up in actual bandages.
Overall it's a fantastic upgrade. The only "downsides" are that his costume is much more sparse on the revised figure; the original came with a track suit and a zombie head that fit into a satchel that hung around his waist. The revised JC looks more militant; more badass and more roughed up. Which was something that I was excited about. Even his feet changed dramatically; the original JC had sculpted shoes whereas the revised JC has faux-leather combat boots that his legs/feet slide into. It's really awesome.
I had been keeping an eye on JC through eBay, and when one came up at a good price, I jumped on it. I had a few "custom" ideas that I wanted to add; a weathered leather jacket that I picked up off eBay from a Mad Max: Fury Road unlicensed 12" figure, and a wood/metal sledgehammer that I also found via eBay. I just thought that this JC would look badass standing there holding a sledgehammer. Forget swords or guns - he needed something raw and blunt and heavy. The sledgehammer I found worked perfect. The great thing about 12" scale figures is all the amazing 1:6 scale accessories you can get for them.
pictured: profile of JC with leather jacket and sledgehammer
I immediately make some portraits of him shortly after he and his accessories arrived, and it also gave me a chance to use this stuff called Atmosphere Aerosol. I have been using fog machines for toy work for many years, but I've had terrible luck with fog machines; Dave let me borrow his fog machine, and after two uses it clogged up, despite me following directions on how to clean it. Then, over the last few years, I've gone through two more fog machines - each time following exactly what the directions enclosed with the machine say on how to take care of them, and each time, after only 1 use, they both got clogged up.
So I did some googling and found Atmosphere Aerosol:
It's small and compact, and I hadn't read about any clogging issues with it, so I bought a can and gave it a test with JC:
The stuff works like gangbusters! Since I'm only shooting small figures with it, a little can go a long, long way, which is awesome!
I also picked up a 1:6 scale Captain America shield for cheap jut for a little extra patriotism:
I'm looking forward to taking JC out in the warmer months this summer to get some outdoor images with him. Hopefully Sara and I will take another trip to Clough State Park, where I've taken images of my other ThreeA figures.
I love these figures - so expressive, so badass. They are so damn fun to make photographs with.
I love listening to New Hampshire Public Radio (I know, I know, I'm getting so old!), and there are a few shows that I really love listening to, and one of them is the show Word Of Mouth, hosted by Virginia Prescott.
I love her voice and how she interacts with her guests - she always sounds sunny and I love hearing her voice during the day.
I immediately knew I wanted to find a way to get a quick portrait of Virginia, so I asked Sara if she'd communicate with Virginia and ask if I could grab a few portraits of her after the event ended.
I didn't want to take up much of Virginia's time, so I kept gear to a minimum; photographing her with my Fuji X100s and I slapped a speedlight in a Saberstrip. Easy to carry and very minimal.
I setup quickly on the stairwell and did a quick pre-light with a stand-in and found my exposure. I knew I wanted these shots to be in black & white. Virginia came down and I got a few portraits of her alone, and then took a few shots of her with Sara and some other NHIA employees and students.
She was awesome and extremely charming. I gotta admit that I've had a little crush on her for a while, and meeting her in person just made that crush even bigger. She has a great personality and humor and she can instantly establish a rapport with anyone - it isn't hard to see why so many people like her.
I would love to be able to photograph her again with more time allocated to it. I'm hoping she'll be up to it, and whenever she is ready, so am I.
Thanks, Virginia. You kick ass. Thanks for being awesome.